A peer-reviewed project presentation of 20 minutes, plus 10 minutes Q&A
Endangered Sonic Bodies: Situated Knowledge in Performer-Led Intermedial Electroacoustic Practice
Presented by:
Iracema De Andrade Almeida
BLOCK LETTERS and Cursive Mountains: State-Writing, Sonic Mimesis, and the Virtual Topographies of the Dengbêj
Presented by:
Savas Boyraz
Working in Languages Spoken by Fewer: An Aesthetics of Non-Alignment
Presented by:
Rita Júlia Sebestyén
Workshop Diaries: Three seasons in Sápmi
Presented by:
Nancy Couling
City Is the Thing Bodies, Languages and Time Move Through: Concrete Structures of In-Betweenness
Presented by:
Anna Carolina Jensen
Epistemologies in a Minor Key: Theorizing Creative Artefacts as Knowledge Entities
Presented by:
Fiona Woods
Discussique: Metaphor and Re-learning Listening for New Performance Practices in Transcultural Music
Presented by:
Jeremy Woodruff
Augmented Vocality: Reimagining Old Irish Poetry for Contemporary Classical Music
Presented by:
Edmund Hunt
Unidentified Rehearsals
Presented by:
Gwen Welliver
Artistic Research and Spatial Pedagogies in an era of Large Language models
Presented by:
Glenn Loughran
Gaeltacht Epistemologies: Exploring the Knowing of Dance at the Intersection of Embodiment and Endangered Language Practice
Presented by:
Nada Ní Chuirrín
From the Earth I Have Come – Duodji Art Textile, Decolonisation and Language Revitalisation
Presented by:
Maarit Magga
Transmedial composition in kinetic performance: Mimesis without resemblance, ambiguity, and the enactive mind
Presented by:
Thorolf Thuestad
Process Art as Methodological Innovation: From University Studios to Digital Practice
Presented by:
Alan Magee
Life Makes a Bend and Nests in it
Presented by:
Fiona Hallinan
Where we are is here...(after Orkney filmmaker and poet Margaret Tait)
Presented by:
Saoirse Higgins
Cheap Copies and Collective Memory: The Postcolonisation in Archives and Digital Art Practice
Presented by:
Yin-Wen Lin