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17th Conference of the Society for Artistic Research (SAR)

Tistouโ€™s Tea Party Preparation: An Artistic Inquiry into Material Transformation and Internal Growth

Presented by: Papattaranan Kunphunsup
๐Ÿ—“๏ธ Wednesday, 24 June โ€” 5:10pm - 6:30pm (80 mins)
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Tistouโ€™s Tea Party Preparation: An Artistic Inquiry into Material Transformati
Abstract
Tistou's Tea Party is a symbolic intervention which took place during the Gallery Bangsaen Festival (March 6-15, 2026). During the intervention, participants were invited to write down their grievances, then process the paper into a collective sculpture. After ten days, the artwork was dismantled and converted into RDF. Itโ€™s a recurring ritual: whenever negative emotions pile up, we can transform them into art, and eventually, into energy. This exposition details the preparation phase โ€” testing the feasibility of the symbolic act, refining it, and observing its effects. The method of study is practice-as-research. Data collection involves intermittent photography, interview, and field notes. I found that it is possible to shred the papers, soak in hot water, blend into pulp, and mix with tapioca starch, joint compound, water, food color, and scent (if desire). The processed paper pulp, which feels like very thick cream soup, can be squeezed or thrown on nylon mosquito net to form something which evoke the feeling of a flowering tree. During the whole experiment, I experienced a profound sense of โ€œQuirky Euphoriaโ€ and a sense of agency, that it is possible to process my negative emotions into a creative act.
Biography
Papattaranan (Pla) Kunphunsup holds a PhD in Visual Arts and Design from Burapha University, an MA in Communication Arts from New York Institute of Technology, and a B. Arch in Architecture from Chulalongkorn University. Currently, she is a lecturer at the Faculty of Fine and Applied Arts, Burapha University. She works in the form of academic research, articles, drawings, graphic design projects, animation, and short documentary films. Her interdisciplinary practice explores grief, memory, and creative self-disclosure through participatory and post-studio approaches. She focuses on artmaking as a form of agency, especially under social, emotional, or material constraint.